01
African & French Creole
The spirits and figures carried across the Atlantic and remade in Creole tongue — the forest, the crossroads, the old warnings still whispered at dusk.
Caribbean Folklore Series · Novella One
Chacachacare The Lighthouse Keeper
Before it was an island — it’s where the gods played.
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Chacachacare
It is a real place. That is what makes it dangerous.
Beyond the Bocas del Dragón, where the Caribbean Sea narrows into the mouth of a dragon and the current runs strange, an island sits with a hyper-saline pond at its centre — water saltier than the sea that surrounds it, cupped in land that was never meant to hold something so still.
It carries the weight of the Amerindians who knew it first, and the weight of a leper colony that came after — people sent away and told not to come back. Manchineel trees line parts of the shore, beautiful and lethal, the kind of thing the old people still warn you never to stand beneath in the rain.
History gave Chacachacare its scars. The Lighthouse Keeper asks a different question — what was here before the scars. What the island was, before it was an island at all.
The Keeper
Papa Bois
He has kept to the east for twenty-six years.
The old stories say he walks the high woods, that the deer answer to him before they answer to any hunter, that a horn sounds through the forest when he moves and the wise stop what they are doing and listen. Twenty-six years he has kept his distance from the west, from the pond that sits too still and too salt, from the island that draws the eye and asks nothing to be looked at.
Something turns him west now. The lighthouse. Or what stands where a lighthouse should be.
The Keeper of the Lens
Aruna Singh
Twenty-six. Arima, born and raised. Actuarial science by training — four years inside a Big Four firm learning to price risk for a living, to put a number on the things people are afraid might happen.
Nothing in that training prepares her for Chacachacare. Nothing prices for gods.
The Roots
Four Streams, One Sea
The Caribbean Folklore Series draws from four living traditions, held together rather than folded into one.
02
Indo-Caribbean
Raakhas, Churile, Dee Baba, Jinns — spirits that arrived with indentureship and took root in Caribbean soil, carrying their own rules for the living and the dead.
03
Tobagonian
A folklore tradition distinct from the mainland — its own island, its own stories, never folded into Trinidad’s for the sake of convenience.
04
Amerindian
The first stream. The people who knew these islands before any other name was given to them, and the stories that were here before the rest arrived.
The Research
Ten Years, Before One Word
Dave Cabral began collecting Caribbean folklore more than a decade before Chacachacare had a plot.
T&T folklore. Tobago folklore, kept separate on purpose. Indo-Caribbean spirit traditions. African origins. And, running alongside all of it, the wider canon — Greek, Celtic, African, Chinese, Persian, Hawaiian, Aboriginal, Aztec, Native American — studied not to imitate, but to understand where Caribbean mythology sits among the world’s oldest stories.
A myth bible exists behind the scenes — the full architecture of this world, its rules, its figures, its history. It is not published. It is the foundation the novella stands on.
YouTube
Watch
Video content is in development. Folklore lore drops, behind-the-scenes research, and more — on the Saturn Magic Makers YouTube channel.
Coming Soon
The channel is being built. Follow below to be notified when Folklore video content goes live.
@saturnmagicmakersComing Soon
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The novella is being written now. No store yet — when Chacachacare is ready to be read, you’ll be the first to know.
YouTube channel — coming soon.